FROM THE ROAD: GOING HOME, BUT FIRST...
After the Sugarland show the band and crew packed up and headed home to Nashville. I, on the other hand, stayed overnight with my in-laws and took a flight out in the morning to another city. I met up with a program director for a major radio network and one of our radio promoters for a lunch meeting, a chance to get to know each other and, honestly, give our single Bless the Lord a better shot at getting attention.
(NOTE: A radio promoter is a person hired by the label to bug and shmooze stations into playing songs from the label's artists. Those songs are called "singles.")
I told the network's programmer that I wasn't in town to ask him to play my single - that's the radio promoter's job. I was there to learn. I love to learn about this business and teach others what I discover because it quells cynicism and angst. Knowledge does that.
If a station doesn't play my music my human response it disappointment. If they don't play any music from my label for two years my human response is anger. I'm just immature that way - especially when other artist friends of mine tell me of how their label gives TVs, vacation packages and golf outings to programmers in exchange for radio play. Chaps my hide.
So I can stew and curse and throw an artist tantrum or I can learn why a network like this does what they do and how they do it. I can try to get to the heart of what they want to accomplish, what their, for lack of a less used word, "mission" is.
If I can walk away truly supportive of who they are and what they're out to do I'm less likely to be angry when I'm not part of what they're doing. I can honestly say when I hear my new single has been added to rotation, "Well, that makes. That song doesn't help them meet their goals. It won't get them what they want."
So I asked this programmer to explain what he's doing, how and why and was shocked by his honesty. In a nutshell, and I hope I don't misrepresent by simplifying more than two hours of conversation this way, his primary goal is to increase his audience size and therefore increase advertising revenue. He used the metaphor of a mountain regularly and this increase in ratings and revenue is the peak for his station and, he believes, every station.
He goes about reaching this peak by testing songs on people already listening to his station and those who sometimes listen. The goal then is to find new music that appeals to both old loyal listeners and potential loyal listeners. The station then sounds, not surprisingly, old. That's not to say it's bad. It just plays a great deal of "gold" music - old hits that are familiar to listeners and test well. And then sprinkles in new songs that sound like those old hits. Thing is these "new" songs aren't often all that new.
He proudly told me, for instance, that his station just added SHOULD I TELL THEM, a song of mine that went #1 three years ago, because it tested well for him.
There's more to the conversation you'd find interesting but here's what surprised me the most. After time talking about testing etc I moved beyond business goals and strategy to spiritual matters. I asked him what I want everyone in this business to be asked, regardless of their sector of the industry. Who is your audience? Christians? Non-Christians? Both? And why? What do you dream happens through you for them and in them? What's the spiritual goal of your station?
The answer floored me. I'll share that soon. Until then, what do you think you local Christian station's answers are to those important questions? WHat about your favorite artist or author or label? Have you asked? Maybe you should.
Got thoughts? Discuss this SHLOG on my message-board
(NOTE: A radio promoter is a person hired by the label to bug and shmooze stations into playing songs from the label's artists. Those songs are called "singles.")
I told the network's programmer that I wasn't in town to ask him to play my single - that's the radio promoter's job. I was there to learn. I love to learn about this business and teach others what I discover because it quells cynicism and angst. Knowledge does that.
If a station doesn't play my music my human response it disappointment. If they don't play any music from my label for two years my human response is anger. I'm just immature that way - especially when other artist friends of mine tell me of how their label gives TVs, vacation packages and golf outings to programmers in exchange for radio play. Chaps my hide.
So I can stew and curse and throw an artist tantrum or I can learn why a network like this does what they do and how they do it. I can try to get to the heart of what they want to accomplish, what their, for lack of a less used word, "mission" is.
If I can walk away truly supportive of who they are and what they're out to do I'm less likely to be angry when I'm not part of what they're doing. I can honestly say when I hear my new single has been added to rotation, "Well, that makes. That song doesn't help them meet their goals. It won't get them what they want."
So I asked this programmer to explain what he's doing, how and why and was shocked by his honesty. In a nutshell, and I hope I don't misrepresent by simplifying more than two hours of conversation this way, his primary goal is to increase his audience size and therefore increase advertising revenue. He used the metaphor of a mountain regularly and this increase in ratings and revenue is the peak for his station and, he believes, every station.
He goes about reaching this peak by testing songs on people already listening to his station and those who sometimes listen. The goal then is to find new music that appeals to both old loyal listeners and potential loyal listeners. The station then sounds, not surprisingly, old. That's not to say it's bad. It just plays a great deal of "gold" music - old hits that are familiar to listeners and test well. And then sprinkles in new songs that sound like those old hits. Thing is these "new" songs aren't often all that new.
He proudly told me, for instance, that his station just added SHOULD I TELL THEM, a song of mine that went #1 three years ago, because it tested well for him.
There's more to the conversation you'd find interesting but here's what surprised me the most. After time talking about testing etc I moved beyond business goals and strategy to spiritual matters. I asked him what I want everyone in this business to be asked, regardless of their sector of the industry. Who is your audience? Christians? Non-Christians? Both? And why? What do you dream happens through you for them and in them? What's the spiritual goal of your station?
The answer floored me. I'll share that soon. Until then, what do you think you local Christian station's answers are to those important questions? WHat about your favorite artist or author or label? Have you asked? Maybe you should.
Got thoughts? Discuss this SHLOG on my message-board
3 Comments:
probably something to the effect of: "well shaun, you know, i wouldn't really call what we do here a ministry per say, not..not that we wouldnt want to BE a ministry but you know, creature comforts are a nice thing...and sometimes well, "ministry" well...mmm...im not really making sense am i? (blank and concerned stare from shaun)...shaun, have you read joel olst**n's book? it talks about how God really does WANT you to be rich, and well we see those labels that contribute to that dream of ours as being the holy spirit prompting us to play the songs that well...make us rich, or at least make us feel rich,..not that your music, if we played it couldn't make us rich but we would be taking a chance now wouldn't we. so... i tell you what, tell your bosses down there at rocketown that my wife,... i mean the station, really needs a 72 inch flat screen plasma television....ect."
I called my station twice.
The second time, I think I would have been on the air til they got to the part where they asked what my request was. :-( I asked why they didn't have the #1 CD in the country yet and she said "perhaps we do..it's just not programmed in here yet." I offered to send her a disc. She said, "Oh...sure. Ok." I might just do that. Worst case, even if it doesn't make it on the radio, it'll be part of somebody's playlist....somewhere.
The thing is, this is a huge station. I know I've heard "Bless the Lord" here. Maybe we were in Tyler when I heard it. Maybe I heard it on the Christian rock station here. I don't know. I'm a channel flipper! What can I say? ;-)
Thanks for this edition of your Shlog, Shaun. I'm interested in learning more about the industry as well. Please keep expounding as the Spirit leads.
I saw a great speaker at an indie artist conference (CIA in Franklin during March of this year) speak about this topic. He began by asking us why we thought people listened to the radio, and the answer we agreed on was to hear their favorite songs. While I personally listen in the (mostly unmet) desire to hear new music, I do agree that most people desire to hear their favorite songs.
When you put it in that simple context, it becomes more obvious why stations are so afraid to add more than 1-2 songs a week to their rotation lists. But it's still disappointing nonetheless for us new artists who'll likely never break into Christian hit radio.
The reason I have desires for radio is so much different than their goals- radio and TV are probably the only chances to reach a channel surfing non-believer. Whenever I am driving, my wife takes the liberty to hit the scan button the radio (much to my chagrin!) and see what's on, not by station, but by what captures her attention. Were she still a non-believer, there is a good chance a catchy, emotion-filled song could reach her at that moment. That to me is a great opportunity for Christian artists and the reason I keep pursuing airplay even at small stations that are non-reporting since that doesn't make much of a difference when thought of in that light.
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